Our experiment, incubated in Scalable Cooperation in collaboration with computer and network scientists, was a play on the Small World Experiment. We designed it with the same structure of Milgram’s original 1962 study, routing information through Burning Man’s social network with a series of parcels. These parcels, which we named “Vessels” (because everything at Burning Man can and should have a vaguely ritualistic name), were handed out on the first day of Burning Man 2018, containing information about a particular individual at Burning Man. The clearly stated goal of the vessel was to end up in the possession of this individual, so we refer to them as the Terminus. From hand-off to hand-off, these Vessels would collect a variety of information, stories, and data about their journey. We hoped these journeys would allow us to quantitatively map the connectivity of the Burning Man community and qualitatively understand how people engage with Burning Man culture. We hoped not only to count the number of hops of each successful chain, and compare that measure of social connectivity with Milgram’s 6 degrees of separation, but also to see what cultural, geographic, or attitudinal factors affect success rates. These are not questions that can be probed by scientific methods alone, so we enlisted the input of designers and artists in order to better explore the subjectivity of Burning Man’s magic.