Tag: books

Ebooks tipping point

“Yes, the established publishing companies that belong to the AAP are selling fewer e-books. But that does not mean fewer e-books are being sold. Of the top 10 books on Amazon’s Kindle bestseller list when I checked last week, only 2 were the products of major publishers. All the rest were genre novels (6 romances, 2 thrillers) published either by the author or by an in-house Amazon imprint.”

“‘Big 5′ publishers’ share of Kindle unit sales fell from more than 40% at the beginning of 2014 to 23% in May. Because they tend to sell their e-books for a lot more than $4.99, the Big 5 share of gross revenue is still around 40%, but it’s falling fast, too. And self-published “indie” authors — in part because they get a much bigger cut of the revenue than authors working with conventional publishers do — are now making much more money from ebook sales, in aggregate, than authors at Big 5 publishers.”

Urban Under

The book is motivated by an intense desire to see: to reveal the underground circuits of utility tunnels, sanitation services, transportation networks, and everyday labor that writhe beneath the surface of the urban world. By doing so, it hopes “to foreground the connections between space and politics that converge underground.”

Homo Deus

What then will replace famine, plague, and war at the top of the human agenda? As the self-made gods of planet earth, what destinies will we set ourselves, and which quests will we undertake? Homo Deus explores the projects, dreams and nightmares that will shape the 21st century — from overcoming death to creating artificial life. It asks the fundamental questions: Where do we go from here? And how will we protect this fragile world from our own destructive powers? This is the next stage of evolution. This is Homo Deus.

2016-09-04:

The evidence of our power is everywhere: we have not simply conquered nature but have also begun to defeat humanity’s own worst enemies. War is increasingly obsolete; famine is rare; disease is on the retreat around the world. We have achieved these triumphs by building ever more complex networks that treat human beings as units of information. Evolutionary science teaches us that, in one sense, we are nothing but data-processing machines: we too are algorithms. By manipulating the data we can exercise mastery over our fate. The trouble is that other algorithms – the ones that we have built – can do it far more efficiently than we can. That’s what Harari means by the “uncoupling” of intelligence and consciousness. The project of modernity was built on the idea that individual human beings are the source of meaning as well as power. We are meant to be the ones who decide what happens to us: as voters, as consumers, as lovers. But that’s not true any more. We are what gives networks their power: they use our ideas of meaning to determine what will happen to us.

Westeros is Poorly Designed

people think that it’s a particularly well-crafted setting. It is not. Westeros is shoddily assembled as far as political, cultural, or demographic realism goes. There is too much dynastic stability, too little cultural, linguistic, and ethnic diversity, the basic size of the world seems to change to fit the immediate exigencies of the plot, the cities and armies are implausibly large in many cases

Children of Arkadia

I read Children of Arkadia, by Darusha Wehm, over the weekend. This was a fascinating book. The setting is a classic of science fiction: a bunch of idealistic settlers embark on creating an idealized society in a space station colony. There are 2 unique twists: the artificial general intelligences that accompany them have, in theory, equal rights and free will as the humans. There are no antagonists: no one is out to sabotage society, there’s no evil villain. Just circumstances.

Darusha does an excellent job exploring some of the obvious and not-so-obvious conflicts that emerge. Can an all-knowing, super intelligence AI ever really be on equal footing with humans? How does work get done in a post-scarcity economy? Can even the best-intentioned people armed with powerful and helpful technology ever create a true utopia?

Children of Arkadia manages to explore all this and give us interesting and diverse characters in a compact, fun to read story. Recommended.

Age of Em

the age of em is one of the most important contributions to futurism in quite some time.

It might seem odd, given that it is both awkward to define what kind of book it is – economics textbook, future studies, speculative sociology, science fiction without any characters? – and that most readers will disagree with large parts of it. Indeed, one of the main reasons it will become classic is that there is so much to disagree with and those disagreements are bound to stimulate a crop of blogs, essays, papers and maybe other books. This is a very rich synthesis of many ideas with a high density of fascinating arguments and claims per page just begging for deeper analysis and response. It is in many ways like an author’s first science fiction novel (Zindell’s Neverness, Rajaniemi’s The Quantum Thief, and Egan’s Quarantine come to mind) – lots of concepts and throwaway realizations has been built up in the background of the author’s mind and are now out to play. Later novels are often better written, but first novels have the freshest ideas. The second reason it will become classic is that even if mainstream economics or futurism pass it by, it is going to profoundly change how science fiction treats the concept of mind uploading. Sure, the concept has been around for ages, but this is the first through treatment of what it means to a society. Any science fiction treatment henceforth will partially define itself by how it relates to the Age of Em scenario.

Medieval Fonts

Medieval script tells time, although usually not very precisely. Take for example the 3 major script families from the medieval period: Caroline minuscule, Pregothic script, and Littera textualis or Gothic script.

Despite the fact that these 3 families are relatively easy to distinguish and identify, they were used for extensive periods of time: Caroline from c. 800 to c. 1050, Pregothic from c. 1050 to c. 1250, and Gothic from c. 1250 to c. 1500. In other words, merely identifying the family of handwriting is not enough to pinpoint when precisely a book was made.

The art of the deal

hilarious and insightful.

But Trump of the book is more a-intellectual, in the same way some people are amoral or asexual. The world is taken as a given. It contains deals. Some people make the deals well, and they are winners. Other people make the deals poorly, and they are losers. Trump does not need more than this. There will be no civilization of philosopher-Trumps asking where the first deal came from, or whether a deal is a deal only by virtue of its participation in some primordial deal beyond material existence.

long lost, recently rediscovered at a yard sale: the art of the deal, the movie