In 1999, Michael Lorenzini, the senior photographer for the New York City Municipal Archives, was spooling through microfilm of the city’s vast Department of Bridges photography collection when he realized that many of the images shared a distinct and sophisticated aesthetic. They also had numbers scratched into the negatives. “It just kind of hit me: this is one guy; this is a great photographer”. But who was he? It took many months and uncounted hours of trolling through archives storerooms, the Social Security index, Census reports and city records on births, deaths and employment to find the answer: the photographer was Eugene de Salignac, a municipal worker who took 20K photographs of modern Manhattan in the making. “It felt like a real discovery”.

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